LEFT MAISON MARTIN MARGIELA MEN'S SPRING SUMMER 2011 RIGHT R.H QUAYTMAN 'CONSTRUCTIVISMES 2009' (DETAIL), MIXED MEDIA ON PLYWOOD PANELS

SETH PRICE

.

CONSTRUCTION TIME AGAIN III

ZIGZAG I UNFINISHED BRIDGES AS MISSING STITCHES

ROBBIE SNELDERS FOR RAF SIMONS X FRED PERRY

CONSTRUCTION TIME AGAIN II

LEFT IMI KNOEBEL, " WEISS UND SCHWARZ ", 2009, ACRYLIC ON ALUMINIUM,273 X268 CM . RIGHT WENDY & JIM SPRING SUMMER 2003 MEN'S COLLECTION PRESENTATION, PARIS

CONSTRUCTION TIME AGAIN I

JEAN PAUL GAULTIER CAMPAIGN ARCHIVE, 1990'S

ABOVE RAF SIMONS SPRING SUMMER 2002. BELOW MICHÄEL BORREMANS, PORTRAIT 3 DETAIL, OIL ON CANVAS, 2006

.

CHROMATIC ROWS TEXTUREN - FAKTUREN

TOP LEFT KEES GOUDZWAARD, BLADSPIEGEL, OIL ON CANVAS, 2003. TOP RIGHT RAF SIMONS SPRING/SUMMER 2011 . BOTTOM LEFT KEES GOUDZWAARD, MARKING, 2009, OIL ON CANVAS. BOTTOM RIGHT RAF SIMONS SPRING/SUMMER 2011 .

AT BAUHAUS, I HAD LONG CHROMATIC SERIES MADE OUT OF NATURAL MATERIALS, FOR THE TACTILE ASSESSMENT OF DIFFERENT TEXTURES. THE STUDENTS HAD TO FEEL THE SEQUENCES OF TEXTURES WITH THEIR FINGERTIPS, KEEPING THEIR EYES CLOSED. THEIR SENSE OF TOUCH WOULD SOON IMPROVE AMAZINGLY. LATER, I HAD TEXTURED MONTAGES MADE OUT OF CONTRASTING MATERIALS. THESE RESULTED IN FANTASTIC CREATIONS OF A WHOLLY NEW EFFECT.

JOHANNES ITTEN, MEIN VORKURS AM BAUHAUS. GESTALTUNGS UND FORMENLEHRE, RAVENSBURG, 1963.