begüm sekendiz boré ©

15 April 2014

THROWING IN THE TOWEL WITH PETER SAVILLE         PART 1
BELOW IS A SCREENCAP FROM THE VIDEO WHERE PETER SAVILLE TALKS ABOUT THE SUNSET GRAPHICS IN HIS CURRENT COLLABORATION WITH ADIDAS Y-3. "THE LAST REALLY PERSONAL THING I'D DONE FOR YOHJI WAS THE GAME OVER CAMPAIGN IN 1992"    FROM 1991 TO 1993, PETER SAVILLE ALSO  DESIGNED CAMPAIGNS FOR JIL SANDER.  BEGÜM



14 April 2014


HAPPY THAT MY ARTICLE  JIL SANDER MORPHS INTO LUCIAN FREUD  WAS  MENTIONED ON FRANCECULTURE.FR 'S  PROGRAMME ON LUCIAN FREUD THIS SATURDAY (12.04.2014) .  THE PROGRAMME WAS RECORDED IN PARIS, VIENNA AND LONDON WITH THE PARTICIPATION OF  DAVID DAWSON, LUCIAN FREUD'S ASSISTANT AND JASPER SHARP,  THE CURATOR OF THE LUCIAN FREUD EXHIBITION AT THE KUNSTHISTORISCHES MUSEUM IN VIENNA.    VISIT   http://www.franceculture.fr/emission-une-vie-une-oeuvre-lucian-freud-1922-2011-2014-04-12   TO LISTEN TO THE PODCAST. THE LINK TO MY ARTICLE  JIL SANDER MORPHS INTO LUCIAN FREUD  IS  ON THE SAME PAGE. BEGÜM

11 April 2014


JIL SANDER'S DAVID LYNCH BACKGROUND    /    A GREAT ESCAPE INDEED      ➪   ITALO ZUCCHELLI'S JIL SANDER BACKGROUND


DAVID LYNCH'S FIRST COMMERCIALS WERE A SERIES OF FOUR DIRECTED FOR CALVIN KLEIN OBSESSION  IN 1988. IN 1993, LYNCH DIRECTED JIL SANDER BACKGROUND  FRAGRANCE COMMERCIAL. BELOW IS THE FINAL SCENE FROM DAVID LYNCH'S JIL SANDER BACKGROUND COMMERCIAL WHICH IS INDEED CONNECTED TO  A GREAT ESCAPE INDEED 1 WHICH TOOK ITS NAME FROM CALVIN KLEIN A/W 2014 THAT FEATURED CALVIN KLEIN ESCAPE,  ETERNITY & OBSESSION SWEATERS. GO BACK TO 12 MARCH 2014 TO RE-READ.  I'LL RE-WRITE ANYWAYS:  

ANDRO WEKUA,  LAST SEEN HERE ALONGSIDE JIL SANDER S/S 2011 MEN'S  ON 29 AUGUST 2010 IS BACK WITH  CALVIN KLEIN S/S 2014  MEN'S     LEFT  ANDRO WEKUA: DREAMING DREAMING 2012.  INSTALLATION VIEW AT GLADSTONE GALLERY, NEWYORK   RIGHT  CALVIN KLEIN COLLECTION S/S 2014.  CONSIDERING THAT CALVIN KLEIN MEN'S CREATIVE DIRECTOR ITALO ZUCCHELLI  WAS PREVIOUSLY A MENSWEAR DESIGNER AT JIL SANDER, IT MAKES PERFECT SENSE ;)  BEGÜM BORÉ




08 April 2014


JIL SANDER OVERTAKES

LEFT  GABRIEL OROZCO,  LA DS, 1993. MODIFIED CITROÊN DS ( REDUCED TO TWO-THIRDS ITS ORIGINAL WIDTH )           RIGHT   CITROËN DS FOR SALE ( VOITURE D'OCCASION ) PARKED IN FRONT OF THE JIL SANDER FLAGSHIP STORE ON AVENUE MONTAIGNE, PARIS.   PHOTO BEGÛM BORÉ.  THIS WAS BACK IN AUGUST 2013 WHEN THE STORE WAS TEMPORARILY CLOSED FOR INTERIOR RENOVATIONS.





04 April 2014

TODAY I AM WEARING JIL SANDER A/W 2013-14  SHOW LOOK 8. ACTUALLY GUCCI S/S 2014 IS MY FAVE COLLECTION OF THE SEASON - LOVE JUGENDSTIL. DEFINITELY BUYING  LOOK 5.

03 April 2014


PART 2        MARTIN CREED   VERSUS   STERLING RUBY
LEFT  MARTIN CREED, MOTHERS, 2012. WORK NO 1357. WHITE NEON, STEEL.    RIGHT  STERLING RUBY, SPCE, (4274), COLLAGE , PAINT AND URETHANE ON CARDBOARD, 2013   BEGÜM

























PART 1        MARTIN CREED  VERSUS   CÉLINE   
TOP - BOTTOM RIGHT  MARTIN CREED, WORK NO 2051. MARBLE, 2010. INSTALLATION AT GAVIN BROWN'S ENTREPRISE.     BOTTOM LEFT   CÉLINE FLAGSHIP STORE,  LONDON, 2014.  BEGÜM





02 April 2014


JURGI AND IRIS ARE BURSTING BUBBLES TOO .  JURGI IS PRE-BURST,  IRIS IS POST-BURST
LEFT IRIS VAN  HERPEN A/W 2014 VENUE INSTALLATION IN COLLABORATION WITH LAWRENCE MALSTAF.      RIGHT  JURGI PERSOONS S/S 2001 PRESENTATION  INSTALLATION BY CLEM NV.  MATERIAL : PMMA PERSPEX 5 MM. TECHNIQUES: BLOWING, FINISH-MILLING. BEGÜM  BORÉ


31 März 2014

TODAY I AM WEARING MY CHANEL CRUISE 2013 PINK VELVET CREEPERS AND MY JIL SANDER MEN'S A/W 2011  LIGHT PINK QUILTED TOP.  MY PERFUME IS TOM FORD TOBACCO VANILLE. SEE YOU AT FOUQUET'S MAYBE

30 März 2014


HELMUT, LOUISE AND HUSSEIN  BURSTING BUBBLES
LEFT  HELMUT LANG S/S 2003 BUBBLE WRAP JACKET      RIGHT LOUISE LAWLER, DOWN, 2002-2004.   BOTTOM HUSSEIN CHALAYAN S/S 2007 DRESS.  BEGÜM BORÉ

































































MICHAËL BORREMANS AND LILI REYNAUD DEWAR WAITING FOR THE NAIL VARNISH TO DRY
TOP MICHAËL BORREMANS, RED HAND, GREEN HAND, 2010. OIL ON CANVAS.         BOTTOM  LILI REYNAUD DEWAR,  STRUCTURES DE POUVOIR, RITUELS ET SEXUALITÉ CHEZ LES STENODACTYLOS EUROPÉENNES, 2009-2010 .   BEGÜM










































27 März 2014

PART 2       HUSSEIN CHALAYAN  LOVES  GERMAN    SO DOES LUC TUYMANS   SO
LEFT  GUNTER RAMBOW, 3RD INTERNATIONAL SPRING FAIR POSTER, 1971     RIGHT  HUSSEIN CHALAYAN A/W 2014 PRESS-ON FINGER NAIL DRESS



26 März 2014

PART 1                HUSSEIN CHALAYAN  LOVES  GERMAN   SO DOES LUC TUYMANS

HUSSEIN CHALAYAN  ON WHAT LANGUAGE HE WOULD MOST LIKE TO SPEAK: "GERMAN. IT'S LIKE RAW STEAK, WHEREAS FRENCH IS LIKE OVER-COOKED STEAK SMOTHERED IN LOADS OF RICH SAUCE."  THE FACE, MARCH 2003
LUC TUYMANS : "I SPEAK GOOD GERMAN, IT'S MY FAVOURITE LANGUAGE."  PYLÔNE No 7, 2010

LEFT  LUC TUYMANS, FINGERS, 1995. OIL ON CANVAS.  RIGHT  HUSSEIN CHALAYAN A/W 2014  PRESS-ON FINGER NAIL DRESS.  BEGÜM





25 März 2014


HERE IS A SELF PORTRAIT.  DO I LOOK ITALIAN ENOUGH?  





19 März 2014

PART   2            LE  9  DE CHANEL  -  LE  5  DE  CHANEL
LEFT  DRIES VAN NOTEN S/S 2014        RIGHT  LUC TUYMANS, SELF PORTRAIT, 2008
















































PART  1        L'OEUF   DE  WOLFGANG TILLMANS  -   LE NEUF  DE  CHANEL
LEFT  WOLFGANG TILLMANS,  EIERSTAPEL, 2009         RIGHT   CHANEL A/W 2014


18 März 2014

INTERLUDE BY GILLES SANDERS  (PRONOUNCED JIL SANDER)
SPEAKING OF CALVIN KLEIN'S BIKE SEATS, HERE COMES FRENCH CYCLIST  GILLES SANDERS WEARING  'PAINTERLY PRINTS' .  PLUS,  TRAVAIL TEMPORARAIRE IS SO JIL SANDER.   BEGÜM BORÉ


14 März 2014

A GREAT ESCAPE INDEED      PART 2

THE LAST TWO ENTRIES INDEED  TAKE THEIR NAME  FROM MY ARTICLE THE GREAT ESCAPE THAT  TOOK ITS NAME FROM  CALVIN KLEIN  A/W 2014. VISIT  DAZEDDIGITAL.COM/AGAIN-AND-AGAIN  TO RE-SEE THE GREAT ESCAPE  (PUBLISHED 2 MONTHS AGO) 

AS IN THE LAST ENTRY, CALVIN KLEIN'S ITALO ZUCCHELLI AND ANDRO WEKUA ARE  TIED :  CALVIN KLEIN A/W 2009 HAD FEATURED JACKETS MADE FROM FOAM USED TO CUSHION BIKE SEATS.  ZUCCHELLI HAD ALSO MADE CLOTHES WITH LENTICULAR PLASTIC USED IN PRODUCTS SUCH AS CARS' TAIL LIGHTS, AND IN MY ARTICLE THE GREAT ESCAPE, I SHOWED THE CALVIN KLEIN ESCAPE SWEATER  UNDERNEATH  A  FORD ESCAPE TAIL LIGHT.

SO HERE,  ANDRO AND ITALO ARE TIED THROUGH BIKES. BELOW ARE TWO INSTALLATION VIEWS FROM ANDRO WEKUA'S  MY BIKE AND YOUR SWAMP, 2008 AT DE HALLEN HAARLEM IN THE NETHERLANDS. EVEN  BRITNEY IS TIED  : "YOU WANT A MASERATI?" THEN YOU'LL LIKE  MASERATI QUATTROPORTE X ERMENEGILDO ZEGNA LIMITED EDITION. ERMENEGILDO ZEGNA IS IN THE GREAT ESCAPE TOO.  BEGÜM BORÉ






12 März 2014

A GREAT ESCAPE INDEED    PART 1

ANDRO WEKUA,  LAST SEEN HERE ALONGSIDE JIL SANDER S/S 2011 MEN'S  ON 29 AUGUST 2010 IS BACK WITH  CALVIN KLEIN S/S 2014  MEN'S     LEFT  ANDRO WEKUA: DREAMING DREAMING 2012.  INSTALLATION VIEW AT GLADSTONE GALLERY, NEWYORK   RIGHT  CALVIN KLEIN COLLECTION S/S 2014.  CONSIDERING THAT CALVIN KLEIN MEN'S CREATIVE DIRECTOR ITALO ZUCCHELLI  WAS PREVIOUSLY A MENSWEAR DESIGNER AT JIL SANDER, IT MAKES PERFECT SENSE ;)  BEGÜM BORÉ





07 März 2014

NADJA BENDER IS MY FAVOURITE MODEL THESE DAYS.  IDEAL FOR GUCCI AND FENDI WITH HER SOMEHOW ITALIAN LOOKS.

VISIT   DAZEDDIGITAL.COM/AGAIN-AND-AGAIN  FOR MY NEW COLUMN


06 März 2014

"RAF'S MENSWEAR BACKGROUND"  

FOREGROUND   MARKUS SCHINWALD, LAST SEEN HERE ON 20 DECEMBER 2013 WITH VANISHING LESSONS IS BACK WITH DICTIO PII, DVD 16 MIIN, 35 MM. GEORG KARGL FINE ARTS, VIENNA.   BACKGROUND     DIOR A/W 2014.  BEGÜM 



02 März 2014

HUSSEIN CHALAYAN CHAIRS
LEFT  HUSSEIN CHALAYAN  A/W 2000 AFTERWORDS COLLECTION WHICH ILLUSTRATED THE SENTIMENTAL ATTRIBUTES OF FORCED IMMIGRATION.   RIGHT MARTIN KIPPENBERGER, WHICH IS YOUR FAVOURITE MINORITY   WHO DO YOU ENVY THE MOST  (WAS IST IHRE LIEBLINGSMINDERHEIT   WEN BENEIDEN SIE AM MEISTEN)  1985-86, LITHOGRAPH ON PAPER.  BEGÜM




01 März 2014

MARTIN MARGIELA CHAIR
LEFT MARTIN MARGIELA A/W 2006      RIGHT  MARTIN KIPPENBERGER,  UNTITLED, GRAPHITE ON  OFFICE STATIONARY,  1993. BEGÜM


28 Februar 2014


RICK OWENS CHAIR
LEFT MARTIN KIPPENBERGER, RESERVE (I HOLD MYSELF CLOSED,YO ME MANTENGO), 1989. WOODEN  CHAIR WITH BARK WICKERWORK, WRAPPED WITH BLUE ADHESIVE TAPE.  RIGHT RICK OWENS A/W 2012. BEGÜM












24 Februar 2014


VISIT  DAZEDDIGITAL.COM/AGAIN-AND-AGAIN  FOR MY NEW ARTICLE                                                 LEFT MICHAËL BORREMANS, THE ADVANTAGE, 2001.  RIGHT  ALLEN JONES, ONE WAY TRAFFIC, DETAIL. 


20 Februar 2014



AFTER TILDA COMES WITTGENSTEIN, AGAIN:
VISIT DAZEDDIGITAL.COM/AGAIN-AND-AGAIN


15 Februar 2014


IRONING OUT WITH TILDA SWINTON
 FEATURING HUSSEIN CHALAYAN, JURGI PERSOONS AND ACNE STUDIOS

LEFT COLUMN    MAN RAY,  CADEAU, 1960s. GENERAL ELECTRIC IRON AND NAILS    &  JURGI PERSOONS 3RD YEAR PROJECT, SHIRT WITH NAILS, 1991 AT MOMU ANTWERP.
MIDDLE COLUMN    JENNIFER ALLORA AND GUILLERMO CALZADILLA, THE CAMEL'S HUMPS AND THE IRONING BOARD, 2010    &   ACNE STUDIOS  A/W 2014 
RIGHT COLUMN    TILDA SWINTON IN HUSSEIN CHALAYAN'S ABSENT PRESENCE, 2005  , TILDA SWINTON IN WE NEED TO TALK ABOUT KEVIN, 2011, TILDA SWINTON  IN I AM LOVE, 2009. BEGÜM BORÉ



11 Februar 2014

PART 2       RAF FOR BODY ART

AFTER  I AM LOVE (2009, STARRING TILDA SWINTON), RAF SIMONS IS DESIGNING COSTUMES FOR YET ANOTHER LUCA GUADAGNINO FILM, ENTITLED BODY ART. BODY ART  IS AN ADAPTATION OF DON DELILLO'S 2001 NOVELLA  THE BODY ARTIST.  BEGÜM


10 Februar 2014

THE CHILD IS FATHER OF THE MAN

LEFT  MICHAËL BORREMANS, 2008, OIL ON CARDBOARD, FOR THE COVER OF WILLIE VERHEGGHE'S MIGUEL OF HET GROOT VERDRIET. GENT, POËZIECENTRUM

RIGHT TOP DENNIS OPPENHEIM, TWO STAGE TRANSFER DRAWING (RETURNING TO A PAST STATE), 1971 : DENNIS TO CHANDRA OPPENHEIM. AS I RUN A MARKER ALONG CHANDRA'S BACK, SHE ATTEMPTS TO DUPLICATE THE MOVEMENT ON THE WALL. MY ACTIVITY STIMULATES A KINETIC RESPONSE FROM HER SENSORY SYSTEM. I AM, THEREFORE, DRAWING THROUGH HER. SENSORY RETARDATION OR DISORIENTATION MAKE UP THE DISCREPANCY BETWEEN THE TWO DRAWINGS, AND COULD BE SEEN AS ELEMENTS THAT ARE ACTIVATED DURING THIS PROCEDURE. BECAUSE CHANDRA IS MY OFFSPRING AND WE SHARE SIMILAR BIOLOGICAL INGREDIENTS, HER BACK (AS SURFACE) COULD BE SEEN AS AN IMMATURE VERSION OF MY OWN. IN A SENSE, I MAKE CONTACT WITH A PAST STATE. DENNIS OPPENHEIM, EXPLORATIONS, 2001, MILANO

RIGHT BOTTOM DENNIS OPPENHEIM, TWO STAGE TRANSFER DRAWING (ADVANCING TO A FUTURE STATE), 1971 : CHANDRA TO DENNIS OPPENHEIM. AS CHANDRA RUNS A MARKER ALONG MY BACK, I ATTEMPT TO DUPLICATE THE MOVEMENT ON THE WALL. HER ACTIVITY STIMULATES A KINETIC RESPONSE FROM MY SENSORY SYSTEM. SHE IS, THEREFORE, DRAWING THROUGH ME.... DENNIS OPPENHEIM, EXPLORATIONS, 2001, MILANO.   BEGÜM